Looking for a post to fit both Wandering the Archives Wednesday and the Advent Calendar I came across this from February of this year. And I wanted to share the wonder of a snowy winter.
I’ve been struggling all day with writing a song. Keeping every line between five to eight syllables long. So this poem came to mind for tonight’s Wandering the Archives Wednesday.
The Return Of The Giant Hogweed by Genesis
Written for Kim’s prompt at dVerse ~ Poetics: Sylvia and Ted. Where we’re asked to write about growing, multiplying, invasive species. As well as try to emulate style of one of the poets.
I decided upon the challenge to keep my line short, with five syllables in each like Sylvia Plath’s Mushroom. It took some editing, but eventually I got there. But boy, do my inner saboteurs have a field day every time I decide to say I actually can do something that connects with writing. Just as they did when I decided to make a new translation of one of Edith Södergran’s poems. Even though I actually have paid bills working as a freelance translator.
As yesterday’s Haibun challenge showed me how much harder I have with counting syllables in English than my native Swedish. This time I put most words trough a syllable counter I found online.
Wikipedia informed me that this weed too have at least one song to it’s honor.
As autumn cold nips every night and morning now. I thought this little alliteration Quadrille with it’s taste of summer was a good re-post for this week’s Wandering the Archives Wednesday.
Forever and ever Us witches pray Lay your blessing on us Let your wisdom guide us Make us live in harmony Once and forever On this night we swear Never to let evil near
Never be swayed by them Who sees nature as an expendable cornucopia We will protect her from harmful overusing With one voice, together we say, I am a proud defender of Gaia’s chaos systemic
Written for Poetics: For the love of puzzles . . . at dVerse. Where Lilian invents a new poetic form. An expansion of the Acrostic poem, she calls Acrostic Plus. I always loved puzzles of all kinds. So even though I find acrostic’s hard to write, they can easily be nonsensical, I had to give it a try.
Lillian writes:
In an Acrostic poem, the first letter of each line, when read from top to bottom, will spell out a message or a name or a word.
In the Acrostic Plus, the first letter of each line in the first stanza, when read from top to bottom, spells out a message or word(s) and in the second stanza, the last letter of each line when read from top to bottom, spells out the rest of the message or additional word(s).
To me, one of the most important things in both the Acrostic and the Acrostic Plus, is that the poem makes sense. The form cannot overrun the meaning. I suppose that’s the case with any form of poetry.
I’m proud and happy to have my poem She-Wolf featured on The Wombwell Rainbow alongside stunning art by Kirstin Armstrong for #WorldWolfDay, #InternationalWolfDay
We must learn, or live in man made hell Teach each other to hard challenges surmount Learn to hold our only planet dear Accept that to some laws of nature we must bow Because if Earth dies beneath our feet, we only got ourselves to blame
Researching and writing this I learnt a few new words, first witchling which, when it popped into my mind sounded like something I made up, but according to Wiktionary is a word used in fantasy and wicca. It is synonym to witchlet, anagram to twitchel, both words I don’t know if I read before, but now am itching to use. And the badger’s burrow is called sett.
This is another poem in tetrameter, meaning eight syllables per line. Also another written in terza rima, meaning the rhyme scheme is ABA BCB etc.
Felt lacking in ideas writing this so used the Skyloverwordlist to boost my creativity. Chosen words: Decipher, Ardent and Fire Brick.